[{"id":1,"title":"Paris Street; Rainy Day","artist":"Gustave Caillebotte","imageURL":"/images/paris-street-rainy-day.jpg","publicationHistory":["Catalogue de la 3e exposition de peinture, exh. cat. (E. Capiomont et V. Renault, 1877), p. 3, cat. 1.","Léon Mancino, “La descente de la courtille,” L’art 9 (Apr. 1877), p. 70.","Anonymous [possibly Gaston Vassy], “La journée à Paris: L’exposition des impressionnalistes,” L’événement, Apr. 6, 1877, p. 2."]},{"id":2,"title":"Self-Portrait","artist":"Vincent van Gogh","imageURL":"/images/self-portrait.jpg","publicationHistory":["J[acob]-B[aart] de la Faille, L’œuvre de Vincent van Gogh, Catalogue raisonné vol. 1-2 (Paris: G. Van Oest, 1928), vol. 1, cat. no. 345; vol. 2, fig. 345.","Martha Davidson, “Impressionist and Later Portraits,” Art News 36, no. 23 (1938): 24, 10 (ill.).","Jack Levin, “Homage to Vincent,” Art News 17, no. 8 (1948): 26 (ill.)."]},{"id":3,"title":"Bathers by a River","artist":"Henri Matisse","imageURL":"/images/bathers-by-a-river.jpg","publicationHistory":["Charles Estienne, “Des tendances de la peinture moderne: Entretien avec M. Henri-Matisse,” Les nouvelles 2, no. 106 (Apr. 12, 1909), p. 4.","Alvin Langdon Coburn, Men of Mark (Duckworth and Co./Mitchell Kennerly, 1913), pl. 33 (detail).","Ernst Goldschmidt, “Strejftog i Kunsten: Henri Matisse,” Politiken, Jan. 5, 1913, p. 13."]},{"id":4,"title":"Nighthawks","artist":"Edward Hopper","imageURL":"/images/nighthawks.jpg","publicationHistory":["Gail Levin, “Edward Hopper’s Nighthawks, Surrealism, and the War,” Art Institute of Chicago Museum Studies 22, 2 (1996), 180–95, fig. 1.","The Art Institute of Chicago: Twentieth–Century Painting and Sculpture, selected by James N. Wood and Teri J. Edelstein (Chicago: Art Institute of Chicago, 1996), 85, ill.","Judith A. Barter et al., American Modernism at the Art Institute of Chicago, From World War I to 1955 (Chicago: Art Institute of Chicago/Yale University Press, 2009), no. 133."]},{"id":5,"title":"Arrival of the Normandy Train, Gare Saint-Lazare","artist":"Claude Monet","imageURL":"/images/arrival-of-the-normandy-train.jpg","publicationHistory":["Catalogue de la 3e exposition de peinture, exh. cat. (E. Capiomont et V. Renault, 1877), p. 9, cat. 97.","A. P[othey], “Beaux arts,” Le petit parisien, Apr. 7, 1877, p. 2.","“Exposition des impressionnistes: 6, rue Le Peletier; 6,” La petite république française Apr. 10, 1877, p. 2. Reprinted in Ruth Berson, ed., The New Painting: Impressionism, 1874–1886, Documentation, vol. 1, Reviews(Fine Arts Museums of San Francisco/University of Washington Press, 1996), p. 176."]},{"id":6,"title":"Improvisation No. 30 (Cannons)","artist":"Vasily Kandinsky","imageURL":"/images/improvisation-no-30-cannons.jpg","publicationHistory":["Kandinsky, 1901-1913 (Berlin: Der Sturm, 1913), p. 8 (ill.).","The London Salon of the Allied Artists’ Association, Ltd., exh. cat. (London: Allied Artists’ Association, Ltd., 1913), p. 15, cat. 286.","Eddy, Arthur Jerome, Cubists and Post-Impressionism (Chicago: A. C. McClurg & Co., 1914), pp. 124-26, opp. p. 124 (color ill.)."]},{"id":7,"title":"The Herring Net","artist":"Winslow Homer","imageURL":"/images/the-herring-net.jpg","publicationHistory":["“Fine Arts: The Autumn Academy,” Nation 41 (Dec. 17, 1885), 516–17.","W.A. Coffin, “A Painter of the Sea,” Century Magazine (Sept. 1899).","R. Hitchcock, The Art of the World: The World’s Columbian Exposition (New York: D. Appleton and Company, 1895) Section 4, ill. p. 143."]}]